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Sketches made before beginning the
sculpture
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Brian is manipulating the clay to form
the basic shape |
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Progression to the sculptural form |

Detail of the head shape |
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Placed in the kiln. The sculpture is carefully moved to
a kiln where it is fired to 1000C. |

The
sculpture is dried and given a first firing. The clay changes under the
intense heat and is now ready for glazing. |
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Stains and glazes are applied to the walrus form. These
are then high fired, on to the sculpture, in the kiln. |
The walrus is finally fired to 1260c
This walrus was then shipped to the U.S.A. |
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Original sculptures
made to commission |
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